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PICTURE
POST IN TIGER BAY, 1950
AN EXHIBITION
OF PHOTOGRAPHS BY BERT HARDY
'But my grief wanted
a just image, an image which would be both
justice and accuracy.'
Roland Barthes, Camera Lucida (1984)
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Who
is British? What is the nature of British
society? How are immigrants and minorities
in a multi-ethnic society to be portrayed?
What sense can we make today of the ways
in which the past is represented?
This is an exhibition about Cardiff in the
mid-20th century about a community
called Tiger Bay and its relation
to the rest of Cardiff and to the larger
British society. It is also an exhibition
about documentary humanist photography
about ways of seeing racial and cultural
difference. Although the images were taken
more than fifty years ago, the issues they
address have contemporary resonance.
The photographs are by Bert Hardy, the famed
Picture Post photographer whose images were
seen by millions in the 1940s and 50s. Bert
Hardys images are both powerful and
tender, brilliant and empathetic. Although
he often dealt with serious topics
poverty, war, racism, Belsen his
photographs are always concerned with the
human side of the story. The empathetic
photographs he took in poor working class
communities in London, Glasgow, Liverpool
and Cardiff are some of his best. This exhibition
it accompanies, features photographs taken
in Cardiff in 1950 and 1954 mostly
for Down the Bay, a photo-essay
published in Picture Post on 22nd April
1950.
In addition to photographs by Bert Hardy,
the exhibition also includes the essay and
captions written for the Down the
Bay story by Bert Hardys colleague
and friend, A. L. (Bert) Lloyd. The two
Berts worked together on this story and
many others: Lloyd engaged the subjects
in conversation and Hardy photographed them.
Nonetheless, one might ask: Do Hardys
photographs and the Picture Post text say
the same things? Do they convey the same
meanings?
For generations, people in Tiger Bay
have objected to how they have been represented
by photographers, writers, journalists,
social scientists and others. But they like
Bert Hardys photographs of themselves
and their community. Why is this so? What
sort of documentary practice is this that
local people find so alluring? We would
like to thank all those people who helped
to make this exhibition possible
initially in 2001. We gratefully acknowledge
financial assistance from the Arts
for All programme of the Arts Council
of Wales and from the Home Offices
Connecting Communities programme.
We are also grateful to all the staff members
at Hulton Getty who assisted us especially
Brian Doherty who did a brilliant job printing
the photographs from fifty-year-old negatives.
Finally, we thank the University of Glamorgan
for the part-timesecondment of Glenn Jordan
to Butetown History & Arts Centre.
For further information, reservations for
the opening or more photos please contact
us at:
Butetown History & Arts Centre
5 Dock Chambers
Bute Street
Cardiff Bay
Cardiff
(2 minutes walk from the Waterfront)
Tues to Fri 10am 5pm
Sat and Sun and Bank Holidays 11am
4.30pm
029 20 256 757
E-mail: info@bhac.org
www.bhac.org
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