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Tramp Steamers, Seamen & Sailor Town
Jack Sullivan's Paintings of Old Cardiff Docklands
Introduced and Edited by Glenn Jordan
Paperback £14.95

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Book Description
Jack Sullivan is a remarkable artist who has led an
adventurous lifeas a policeman, seaman, soldier,
naval intelligence officer and 'proud citizen on Cardiff'.
For more than fifty years, he painted images of multi-ethnic
Cardiff, its characters and history. Central themes
include the docks, seamen, street life and forgotten
heroes of the two World Wars. Detailed, vibrant and
colourful, these paintings invite the viewer to look
and look again. Jacks art is that of a witness,
a close observer of life. He paints about things that
matter, so that people will see and remember. From 1948
to 1955, as a British Transport Policeman, Jack walked
the beat, often at night, patrolling Cardiff docklands.
As he strolled through the city streets, he made some
800 sketches, many of them of a colourful world of prostitutes,
drunken seamen, gamblers and petty criminals. In the
1980s and 90s, he returned to these sketches and re-worked
some of them as oil paintings, setting them in the latter
Victorian and Edwardian eras. A selection of these images,
plus some of his paintings of Cardiff seamen at war,
is presented in this book. Tramp Steamers, Seamen and
Sailor Town will be of interest to anyone interested
in the history of Cardiff, visual art and cultural studies.
Author comments
If I painted bits of dogs mess on a plate and
called it 'The Meaning of Life', Id instantly
become known as a controversial modern artist. But I
cant be doing that. Real life is what its
all about for me. The people in my paintings actually
existed, and the scenes that I depict actually happened.
That means a hell of a lot to me and, I hope, to many
other people too.
Author bio(s)
Glenn Jordan is Director of Butetown History &
Arts Centre in Cardiff and Senior Lecturer in Cultural
Studies at the University of Glamorgan. He has published
widely on cultural studies, photography and race. His
books include Cultural Politics: Class, Gender, Race
and the Postmodern World (Blackwell, 1995), which he
co-authored with Chris Weedon; Down the Bay: Picture
Post, Humanist Photography and Images of 1950s Cardiff
(Butetown History and Arts Centre, 2001); and Fractured
Horizon: A Landscape of Memory (BHAC, 2003), co-authored
with Mathew Manning (photographer) and Patti Flynn.
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